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  • Why we just can’t let the Titanic go

    Why we just can’t let the Titanic go

    Just when you think conversation about the Titanic has sunk for good, it bobs right back up like a rogue door floating in the…

    By:

    Aadvika Gupta
  • Berlioz brings jazz-house alchemy to the Brooklyn Paramount

    Berlioz brings jazz-house alchemy to the Brooklyn Paramount

    Some concerts are just shows, and then there are nights like December 5, when berlioz — known offstage as Jasper Attlee — turned the…

    By:

    Aadvika Gupta
  • Bananas, billionaires, and the art of the unrelatable: a review of Maurizio Cattelan’s Comedian

    Bananas, billionaires, and the art of the unrelatable: a review of Maurizio Cattelan’s Comedian

    In 2019, when Maurizio Cattelan duct-taped a banana to a wall in Galerie Perrotin’s booth at Art Basel Miami Beach and called it Comedian,…

    By:

    Aadvika Gupta
  • GetLit: Nonfiction / ‘Rugs and Revelations’

    GetLit: Nonfiction / ‘Rugs and Revelations’

    GetLit is a semimonthly series featuring works of fiction and creative nonfiction submitted by New School students. Each month has two opportunities to submit:…

    By:

    Aadvika Gupta
  • Virginia’s East Village presents: Sad hour specials

    Virginia’s East Village presents: Sad hour specials

    After lugging a hefty college bag — bulging with books, a laptop, and the usual load of inessential-essentials — around the city, the craving…

    By:

    Aadvika Gupta
  • The Hills of California: Where Memory Meets Heartache

    The Hills of California: Where Memory Meets Heartache

    No lights. No sound. Just a haunting stillness stretched across the Broadhurst Theatre on the breezy evening of Oct. 7. When the first line…

    By:

    Aadvika Gupta
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